Bould Productions cuts through confused, piece-meal production prep, to offer one stop shopping. Having many of the creative arts housed inside one well organized, fully insured, facility gives your production much more "bang for the buck".

When you come to us through a standard production company, we're going to be looking for a standard SAG deal, plus suit rental, suit dresser, transportation, and prep time. The standard production company will put interns on the phones to try and find a cheaper deal, but will find nothing to compare. But why spend weeks trying to find a cheaper puppet, prop or walkaround suit (that is on camera), when you can easily find cheaper production methods? How do you deal with a production system that's been built on huge budgets, film processing, out of touch union contracts, big "fronts" and old-style broadcast distribution?

Lets save money on the production company. Let Bould Productions handle this as a non-union project.

We already have (in house) and offer to your production:

• Art Department (this is a stocked department with colors, moldmaking, sculpting, painting, wood shop, and talented crew)
• Hair & Makeup Department (large inventory of fake hair, feathers, furs, cloth types, four sewing machines of different types (for in house alterations), and talented crew
• Staff Production Coordinator
• Insert Stage (35 X 30)
• Staff Providing Full Internet-Based Reporting
• Basic Grip Equipment
• Basic Lighting Kit
• Parking for 50 Cars (two roll-ups open up to a secluded parking lot)
• Wireless Internet (on stage and in the prep areas)
• Several high end mini-DV cam's great for "making of" and "behind the scenes" (of course we can get any cam you want)
• High End Still Camera (Canon 5D)
• Casting Area (with changing room)
• Payroll Service (union or non)
• Full Production Insurance
• Many Contacts Within the Industry (after over a quarter of a century in this business)
• A standing inventory of over 700 animal rigs, costumes, and puppets
• A standing inventory of over 1,000 molds to run extra parts or make changes
• Over twenty five years in business, same owner, same name
• The experience of working with all of the big names (Pytka, David Kellogg, James Brooks, Clark Anderson, Jim Abrahams, Spike Lee, Francis Ford Coppola, Ridley Scott, Jake Scott, Chris Guest, Gore Verbinski, Keenan Ivory Wayans, Ron Howard, Thom Higgins, and now, Roland Emmerich)

So, we are offering you services that are much different than the usual production company (which offers you more creatives, more desks and more telephones). Aren't there enough creatives already working on your account? We do the director's work (non-union), rehearse the performers, oversee the prep, and take the calls. But really, it's your creatives at the monitors that do the actual directing.

In today's tight economic times, some projects can't afford all of the middlemen anymore. Could you consider such an alternative?